Overview
Compositions, watercolor drawings, and letters of Irish writer and artist, Edith Anna Œnone Somerville.
Dates
- Creation: 1890-1946
Language of Materials
Collection materials are in English.
Conditions Governing Access
There are no restrictions on physical access to this material.
Extent
1 linear feet (4 volumes)Autograph drafts of Somerville's novels, French leave and The real Charlotte. Also with: autograph draft of an expanded version of her 1912 children's book, The story of the discontented litle elephant, expanded version titled: The story of the little elephant who wanted a long nose. This draft also includes full watercolor drawings to illustrate the book; and letters from Somerville to Isabel Farley.
Biographical / Historical
Edith Anna Œnone Somerville (1858-1949) was born in Corfu but spent her childhood at Drishane House, Castletownshend, in West Cork, Ireland. She was the daughter of Lieutenant-Colonel Thomas Henry Somerville (1824-1898) and his wife, Adelaide Eliza Coghill (1831-1895). Edith studied art in London, Dusseldorf, and in Paris, where she began her career as an illustrator. When she returned home in 1886, she met her cousin, Violet Florence Martin (1862-1915), and the two became life-long friends and began their partnership as writers. Their first venture was An Irish cousin published in 1889. Following the success of this book, they spent 1890-1893 touring Europe and writing travel books. Later they co-authored, under the pseudonym of Somerville and Ross (using the names Martin Ross and E. Œ Somerville), The Real Charlotte (1894), The Irish RM stories, Some experiences of an Irish R.M., and others. The partnership ended in December of 1915 when Violet Martin unexpectedly died of a brain tumor.
Somerville wrote on, publishing a memoir of Martin in 1917, Irish memories. She continued to publish under the joint authorship of Somerville and Martin, one author dead and one alive. She justified this in a two-fold manner, first by claiming that she was the amanuensis for Martin's spirit through the medium of automatic writing, and second, that she used notes on projected works and plots taken from their former correspondence - so the partnership continued.
Somerville most often did the illustrations for their books, but she is still better known as a writer then an artist, though she is regarded as an illustrator and painter of some note. In the twentieth century, Edith spent more time at oil painting, having one-person exhibitions in London and New York She was also a suffragist and an accomplished huntswoman became the first woman master of foxhounds in Ireland (1903-1908, 1912-1919).
Arrangement
Arranged in call number order.
Physical Location
f
Immediate Source of Acquisition
Gift of various donors, various dates. See items for full acquistion information.
Processing Information
Processed by: Bonnie B. Salt
- Title
- Somerville, E. Œ. (Edith Œnone), 1858-1949. E. Œ. Somerville collection, 1890-1946: Guide.
- Author
- Houghton Library, Harvard College Library
- Language of description
- und
- EAD ID
- hou01768
Repository Details
Part of the Houghton Library Repository
Houghton Library is Harvard College's principal repository for rare books and manuscripts, archives, and more. Houghton Library's collections represent the scope of human experience from ancient Egypt to twenty-first century Cambridge. With strengths primarily in North American and European history, literature, and culture, collections range in media from printed books and handwritten manuscripts to maps, drawings and paintings, prints, posters, photographs, film and audio recordings, and digital media, as well as costumes, theater props, and a wide range of other objects. Houghton Library has historically focused on collecting the written record of European and Eurocentric North American culture, yet it holds a large and diverse number of primary sources valuable for research on the languages, culture and history of indigenous peoples of the Americas, Africa, Asia and Oceania.
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